Planning the Details
Creative Brief: Every shoot I plan—yes, even model test shoots—starts with a full creative brief. Mood boards, lighting treatments, location logistics…it’s all part of the process.
Once the vision is clear, I go look by look, mapping out potential accessories and wardrobe choices to bring it to life.
Styling Choices: I styled model Irina Bartell in a Zara dress (yes, our dress—more on that below), a sculptural belt by Michael Kors, an oversized cross-body bag from All Saints, and a straw hat, also from Zara.
While I’m not a professional stylist, I’ve taken Fashion Styling at FIT and lean into fashion with a vision: refined, directional, but always wearable.
Wardrobe Curation: For test shoots or creative collaborations where a professional stylist isn’t on set, models often bring their own clothing based on the creative brief.
Some share their picks with me beforehand, but not always—so I plan for every look. I often shop in advance, envisioning accessories and key pieces to round out each outfit.
From there, I blend those new finds with my own studio wardrobe—an ever-evolving collection of coats, scarves, and both fine and costume jewelry. (I used to own a jewelry business, so let’s just say: I have options.)
My goal is always to create cohesive, brand-ready looks that reflect the mood of the shoot while staying wearable and real.
Location + Light: We shot this look in a quiet golden hour moment in my backyard, just as the clouds parted from a bout of near-torrential rain. The trees softened the light naturally—proof that you don’t need a studio to get something editorial-worthy.
Adapting the Mood Board: While the original inspiration leaned heavily into beachy, Mallorca-style vibes, I knew I could translate that feeling into a wooded setting. The goal was never to mimic the exact location, but to evoke the same relaxed, luxurious mood through natural textures, golden light, and effortless styling.